Rollo Sherwill

ROLLO SHERWILL

Carpentry, joinery, cabinet-making and building workshop, Guernsey, Channel Islands.

I was, still am, a potterer. On the beautiful island of Guernsey, fifty-odd years ago, I pottered at cafes and restaurants, and bar-tending (see blog). My pottering had produced a very small excess of funds with which I bought a very small, old carvel fishing boat, with a very small motor, the sort you see in little hire putputs.

In my ignorance I took this little craft and built a little cabin on it, with dreams of a bunk, and a stove, and a mast and sails. Crazy, but I was a kid, and I wanted to sail, and put down crab pots, and fish with spinners for mackerel. 

The jobs were completed; the boat looked so cute with its gaff-rig and jib, and staysail. Innocently, I put down my ten home-made crab pots in the waters around St Peter Port, with marked floats, all secure. The next day all had vanished; cut, or stolen, by real fishermen. But that’s another story, in which I must welcome a treasured friend, Vic Sanderson. In fact, there are dozens of Guernsey stories, encompassing the entire island, from surfing at Vazon, gardening at a French name I forget, a new baby at Les Canichers, a band at Jerbourg, a wreck of copra, me a tour guide of no skill, alcoholic spirits in tea-pots, a Citroen light 15, the awful seizing of two new marine engines, beach parties, a bakery odyssey, The Hairy Mouse; in fact a life of concentrated events., each one of which would run for pages, opening cans of worms on the way.

Back to the plot; one day I was there on the careening-hard, working on my nautical mission, with tools and marine-ply arranged around the tiny craft (named Tea-pot, by the way), when I was approached by a handsome, slightly older stranger. He introduced himself to the semi-naked hippy (always ready for a swim) as Rollo, and politely inquired as to whether I was a carpenter.

A trade! I wish! I was a practical baby, and loved making things; then there was Art School, (but that’s another story, totally). But a trade! A means of employment! I had to admit to Rollo, no, no carpenter. But he persisted: you look like you know what you’re doing……(the tools were lying around).

Would you like a job? He said; well, actually, yes, I would: things had ground to a stop, forcibly ejected, I was, from a most successful cafe I was running whilst the owner was overseas. He claimed his territory back and immediately went broke. Ha! Rollo thought I could handle the job he was working on,so……

It was the conversion of a tunnel, excavated by the invading German army, into an aquarium. Yes…….not a venture that I would have deemed either viable or lucrative, but Work, Employment. I started the next day, keen and capable.

Rollo Sherwill was the most kind of bosses, a mine of knowledge in the trade into which I had been gratefully inducted. His workshop was the most delightful environment, his staff all supportive gentlemen, his work most varied and interesting, and sometimes curious, and esoteric. There was no job of either delicacy, or complexity, or scale, which he wouldn’t tackle. The learning experience for me was the most valuable asset, treasured for the rest of my life.

I was, unfortunately, too young to be aware and suitably grateful for my invaluable experience with Rollo. I should have stayed; possibly have become a fixture in his enterprise, possibly to have achieved residency status on that island paradise, a good job, and maybe good pay later, and and maybe respect. Without doubt, for the rest of my life I owe my small skill to the trust and patience of Rollo Sherwill.

But I met and drank with two Liverpool blokes, who were horrified at my tiny wages, with wife and two children now to support. There was a project on a huge building site, for which they were looking for a cabinet-maker. I applied: it was a doddle, compared with our exacting standards, and got the job. The Scouse lads said I would earn twice as much.

Telling Rollo was awful. I felt, and was, a complete ungrateful prick. He offered to double my wages, but it was too late. I know I should have stayed, but the decision was made. I offered to stay as long as was necessary to finish the work I was on, and while he found a replacement, but it was over. And I both regret and understand my decision today.

Briefly, my new job was a price on making small bedroom drawer units for almost a hundred new units. I was given a unit as workshop, and I supplied a materials list, which was enormous (eight drawers per bedroom, two bedrooms per unit, 100 units). I needed two extra units for storage.

Having experience of mass-production, I set to work cutting every individual part from my huge stock, a job that took weeks, with no pay: the lads were horrified. But once the assembly started the little drawer-units came together at twenty a day, and accelerating, and were carried out of my workshop to be fitted.

My final pay was enormous, beyond all expectation, and salved my conscience slightly with regard to Rollo. But it is to him that I owe my skill at the trade, if I have any, and it is to him that I dedicated my book ‘The Building of the Queensland House’.

And without Rollo’s support we lost our residency status on the island of Guernsey, being just a few months short of the cut-off period of five years. Perhaps we had a case, but we were too young to know. Paradise lost, back to bleak England, then to bright Australia, carrying Rollo’s wonderful tuition with me.

Thanks, Rollo Sherwill, for starting a young idiot on the way to a lifetime of skill, a career, and solvency. (So far……)

The Building of The Queensland House

The Building of the Queensland HouseThe Building of the Queensland House: a carpentry history of the Queenslander.

Above is the cover, illustrated and designed by John Braben, of the book, and my first blog, which gives me the opportunity of offering some information.
As the title explains, the book is a practical guide to the classic domestic architecture of the state of Queensland, the north-east chunk of Australia. It is not a pretty assembly of photogenic cupolas in garden settings, but a hands-on day-to-day diary of the blokes and their trade, cuts, bruises, falls and all. The specific type of house in question was being built from approximately 1880 to 1920, give or take a few years: this era defines the style.

No new Queenslanders, and fewer originals.
The shame is that, not only was the book not written seventy years ago, but that it was written by me. I have never built a Queensland house; it’s possible that no-one alive has. There are poor copies, on skinny steel posts, with rooms lacking proper height, but no proper Queenslanders.  I have built every part, but not the whole, if that makes sense. The shame is that even now the character of the old suburbs is degrading as more and more old places are either demolished or used as stage-sets for outrageous ‘statements’ in steel and glass. A French, German or English suburb of typically indigenous architecture would be preserved to the last nail.

Queensland without its weatherboard cottages would be the bland featureless anonymity of the new housing estates.  Have you seen the number of  traditional Queensland houses legally demolished every year as a result of zoning decisions made decades ago?  Each unit block occupies land pioneered by the early carpenters, the builders of our original domestic architecture.  In any other country this heritage would be treasured rather than trashed for the slums of the future.

So the book shines a light on the work and materials that go into The Building of the Queensland House, in the hope that those who love the wood-and-corro cottages are not in the minority. There are three parts; the historic setting of the building site a hundred years ago, the carpentry and construction details necessary for accurate restoration, and much advice on enlarging a small cottage to a grand design without wrecking the neighbourhood.

Below:  me, Andy, feeling sore……
Andy Jenner

John has many fine illustrations throughout: the full cover above, for example, shows a bullock-team delivering the stumps to the site in the Brisbane suburb of Red Hill, around 1900, with the scaffolding of the future St Brigit’s church in the background. Dozens of construction-drawings and sections spatter the text, and pages of photographs of all the tools of the trade show what went into the chippies’ kit, box, and bast. Stories and mishaps of the trade, pathetic jokes and instructions on avoiding injury add some Vegemite to the dry bread of scarfs, mortises and rebates.

To my surprise and pleasure, the book is nearly sold out, thanks to the support of local booksellers like Black Cat in Paddington, the BookBank in Toowong, and the unlikely but excellent Wooloongabba Antiques Centre. An attack of hubris has pushed me, for better or worse, to a Second Edition, which if successful will earn me a few dollars a copy, rather than the $1.50 loss that I nevertheless consider worthwhile for the fun of being a Norther. Or, a garage full of expensive wood-pulp. The second edition, to help sales, will be called ‘Wood: fifty shades of brown’.
The books are available from;

The BookBank, Toowong, 07 3870 0050……..Sad note: closed.  Hopefully to re-open at a new location.
Wooloongabba Antique Centre 07 3392 1114
Paddington Antique Centre 3369 8088
New Farm Editions, 07 3254 2122
River Bend, Bulimba 07 3899 8555  has one copy which they can neither find nor, obviously, sell.  Not available from here, but you could try.
Avid Reader, West End 07 3846 3422
Folio, Brisbane City 07 3221 1368
Timber Qld. Fortitude Valley, 073358 7906
New Farm Editions, 07 3254 2122
Books of Buderim, 07 5445 1625
Nook and Cranny, Goondiwindi, 07 4671 5690
Berkelouws, Eumundi, 07 5442 8366
The Station Store, Longreach, 07 4658 2006
The Queensland Museum Shop, Brisbane, 07 3840 7729                                         Mary Who,Townsville,07 4771 3824
Maleny Bookshop, 07 5494 3666
Ideology, Banyo, 0402 511 342
The State Library of Queensland Shop, 07 3840                                                                The Restoration Station Waterworks Road Ashgrove 3366 5855                                 Paddington Hardware

 

Plane             Here are some illustrations from the book, a few: there are very many drawings, plans, elevations, sections and photographs from life and from hundred-year-old books dealing with carpentry and allied business.

(MYSTERIOUSLY, THESE ILLUSTRATIONS HAVE DISAPPEARED FROM THE BLOG:  WHY?)

Since the above info, and the extended list of kind booksellers, the second edition is now available and trickling out into the world.

The new book has an extra chapter on ‘Maintenance’, more illustrations, additions, and excellent drawings by John Braben.  Most of the embarrassing typos are expunged, though inevitably new ones appear. Bugger.

John Braben

John Braben, the artist-illustrator

When I held the new edition, I was puzzled by the fact that despite all the extra pages the book was exactly the same thickness as the first, with the same heavy quality stock used: the reason, thinner paper.  A weightier book, though, by 40 grams or so. Same price.

The printer is local, not overseas: Clark & Mackay in Rocklea, Brisbane, who did wonders with my typesetting and produced the second edition, from start to finish, in a fortnight. I believe in supporting Queensland independent businesses, which is why the book is only available from shops.

 

The bookshops listed above have been very kind to the book, promoting and displaying it where possible. Some have featured ‘meet the author’ events which I find scary but good fun; interesting people turn up with insightful queries, and knowledge is gained all round.
My pallet-loads of the second edition are slowly dwindling as a steady flow stocks shelves around Queensland; as yet no shop in the other states has chanced to sell this admittedly parochial  work, but please call me on 0427 42 43 40 if you’re interested.

Update June 2014

The independent bookshops above have been very loyal, with regular orders coming through.  The 2nd edition is half sold and my printing costs have been well covered. Sales are never going to be more than pocket-money, but here’s my problem: there is no slowing-down of orders as I expected, neither is there an encouraging surge in popularity, so, when this printing runs out, do I go to the great expense of a 3rd edition?  Can I afford it?

A 3rd print would be fun, because there’s more information accumulated that I must include, and more essential Braben illustrations.  Could I afford to do it, and if done, would the small-but-steady sales continue?  Or would I be stuck with a very expensive pile of books?  And a small run is not the answer, because the cost is very high; the more, the cheaper.  An acceleration of sales would give me the green light!

This I suppose is the quandary of the publishing industry, in miniature, for which I have great sympathy.

It is gratifying to get feedback from interesting and unexpected sources. Uni students, to whom the book has relevance in their course, ditto journalism students, young carpenters finding info non-existent in the current trade, bookshops tell me of overseas requests, particularly from Black  Cat in Paddington, Brisbane.  There has been interest from architects who have been most respectful to a lowly chippy. SAD NOTE to the foregoing: Black Cat has now closed, beaten by the congestion and lack of parking.   It’s ironic that the growing popularity of the Paddo main drag has actually resulted in the closure of many shops, and if you’re on a mission to get a book for a present, no chance, it’s chokka.

But new outlets appear, and Jimmy Poulos from the magnificent Restoration Station on Waterworks Rd in Ashgrove now stocks the book, though the proprietor himself is thoroughly expert in Queensland House architecture.

I’m answering my own questions here; there should be a 3rd print!

May 2015  Well the 2nd edition is getting near the end; the last boxes on the last pallet are dwindling. Though another, enlarged edition would be great to publish, the small but consistent sales mean boxes of books occupy space for months and months, and every delivery is usually ten or so books, occasionally a box.  If the orders would stop I’d feel resigned to no new edition, but they don’t stop! And the constant dripping is painful!

What to do?  It’s still a quandary. Well, since writing this, I had to make a decision.

Update October 2015

In the last couple of months something has happened, and the remaining books have been selling at record speed: I have no idea why.   So a third edition is ready for printing, despite the huge cost.  It takes an awful number of sales before I break even, that’s the problem.  Eventually I make a quid, but that seems to get lost in the bills that pile up in the mail: a lump sum is useful, eh.

In a way I’m glad, because there is a heap of stuff missing from the previous editions that really needed to go in. (The entire chapter on ‘Steps’ is re-written, plus more info, illustrations and drawings from John) This means extra pages and cost, of course, weight and thickness too, so extra postage, but it is worthwhile.

Sadly, bookshops are still closing, but the remaining ones are hanging in and benefiting from the extra trade.  Because of its content, hardware shops are now stocking the book, which is marvellous; who’d have thought?